The Pursuit of Musick
a DANCE
243
Guglielmo Ebreo da Pesaro, 1463: De pratica seu arte tripudii, f.4 (preface); Fifteenth-Century Dance and Music: Twelve transcribed Italian treatises …, ed. A. W. Smith (1995), 126 (l.239–47)
Guglielmo Ebreo da Pesaro, 1463: De pratica seu arte tripudii, f.13, f.14r-v; Fifteenth-Century Dance and Music: Twelve transcribed Italian treatises …, ed. A. W. Smith (1995), 138–40 (l.704–10, 759–78)
Arbeau, 1588: Thoinot Arbeau [/Jehan Tabourot],Orchésographie (Langres, 1588/R1988), f.5
Sir John Davies, 1596: Orchestra or A Poeme of Dauncing (London, 1596), sig.A5v (stanza 17)
Charles Butler, 1636: The Principles of Musik in Singing and Setting (London, 1636/R1970), 126–7 (orthography altered)
244
Mattheson, 1739: Johann Mattheson, Der vollkommene Capellmeister (Hamburg, 1739), 228
Rémond de Saint-Mard, 1741: Réflexions sur l’Opéra (The Hague, 1741), 53–5
Courtly Dancing
Antonio Cornazzano: Libro dell’arte del danzare; Fifteenth-Century Dance and Music: Twelve transcribed Italian treatises …, ed. A. W. Smith (1995), 85–6 (l.104–50); (ondeggiare) 90 (l.381–3)
Castiglione, 1528: Baldassare Castiglione, Il Libro del Cortegiano (Venice, 1528), trans. as The Courtyer of Count Baldessar Castilio by Thomas Hoby (London, 1561), Bk 2, sig.M3
Arbeau, 1588: Thoinot Arbeau [/Jehan Tabourot], Orchésographie (Langres, 1588/R1988), f.29v
John Selden, ?1630s: Table-Talk: being the Discourses of John Selden Esq. (London, 1689), 28 (‘King of England’)
245
Mercure galant, 1681: ‘Festes de Vicenze’, in Mercure galant, Mar. 1681, 72–3
Paris, 1725: Pierre Rameau, Le Maître à danser (Paris, 1725), 50–2, trans. as The Dancing-Master: or, The Art of Dancing Explained by John Essex (London, 1728), 29
Dancing on stage
Cavalieri, 1600: Emilio de’ Cavalieri, Rappresentazione di Anima et di Corpo... (Rome, 1600), ‘A’ lettori’ (preface by Alessandro Guidotti)
Il Corago, c1630: [Anon., MS] ed. P. Fabbri & A. Pompilio (1983), 101
246
G. B. Doni, c1635: Trattato della musica scenica (MS, c1635); Lyra Barberina amphichordos: accedunt eiusdem opera, ed. A. F. Gori & G. B. Passeri (Florence, 1763), ii, 95
Mercure Galant, 1683: Mar. 1683; E. Selfridge-Field, Pallade Veneta: writings on music in Venetian society 1650–1750 (1985), 348 (doc.A28)
François Raguenet, 1702: Paralèle des italiens et des françois, en ce qui regarde la musique et les opéra (Paris, 1702/R1976), anon. trans. as A Comparison Between the French and Italian Musick and Opera’s (London, 1709/R1968), 11
Barthold Feind, 1708: Barthold Feind, ‘Gedancken von der Opera’, in Deutsche Gedichte ... sammt … Gedancken von der Opera (Stade, 1708), 103
Gottfried Taubert, 1717: Rechtschaffene Tantzmeister, oder gründliche Erklärung der Frantzösischen Tantz-Kunst (Leipzig, 1717) i, 966 (Bk 2, ch.51)
The dancer
Konrad of Megenberg, c1350: Yconomica, l. 65–70; C. Page, ‘German Musicians and their Instruments: a 14th-century account by Konrad of Megenberg’, EM 10/2 (1982), 194
Guglielmo Ebreo da Pesaro, 1463: (MS, f.10r–v, f.14v–15); De pratica seu arte tripudii; Fifteenth-Century Dance and Music: Twelve transcribed Italian treatises …, ed. A. W. Smith (1995) i) 135 (l.563–77), 586–97 ii) 141 (l.795–816)
247
Antonius de Arena, 1529: ad suos compagniones studiantes ... bassas dansas in galanti stillo compositas ... mandat ([?Lyon], 1529); J. Guthrie & M. Zorzi, ‘Rules of Dancing [by] Antonius Arena’, Dance Research 4/2 (1986), 40
Arbeau, 1588: Orchésographie (Langres, 1588/R1988), f.49v
Quantz, 1752: J. J. Quantz, Versuch einer Anweisung die Flöte traversiere zu spielen (Berlin, 1752, 3/1789/R1952), 269 (ch.xvii, sec.vii, §57)